Nea grant recipients 2019
Student-Artist: Lisa Reshkus
And here’s the best part: We want to hear from you, too! Join us in this open conversation and share your stories, share photos of your home studio, share your questions and answer others, all via the #homerecordingweek hashtag on whatever social media platform you prefer.
Learn the different scale types and modes that exist and the popular songs that make use of them, and all inside your DAW’s piano roll, in Soundfly’s game-changing free online music theory course series, Theory for Producers, taught by NYU professor Ethan Hein.
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Sure, it may not be a fully produced radio-ready single, but you will end up with a great-sounding demo that could save you a lot of time and money if or when you eventually bring your tracks to a professional studio. And the best part is, you don’t even really need a keyboard. Of course, it helps to have one, but a MIDI controller or even your laptop keyboard can work just fine.
Filippo Faustini is a guitarist and producer based in London. He graduated in Modern Guitar at the Conservatoire in Frosinone (Italy) and then he completed an MA in Composition for Moving Images at City University (London). He is the guitarist and producer for the London-based alt rock/ambient band, Alice in the Cruel Sea. Filippo is also the co-founder of a recently formed music production company called Music Brewery where he works as producer and mixing engineer.
I settled on two drum loops that had an identical tempo but were vastly different in terms of energy. Most of my track features this intense groove. But I’ve switched the drums out for this chilled out groove in the outro. The thing is though, since those two samples worked so well together, I actually snuck the latter groove into the busier drum sample on occasion — almost like a drum fill.
If you’re looking for an intimate house/basement show, local bloggers/curators No Smoking Media are bringing the party on Friday with several bands, including Stuyedeyed. Based out of Brooklyn, Stuyedeyed plays a fresh blend of latin-psych-rock. Nelson Antonio Espinal, the band’s lead singer and guitarist, collaborated with his bandmates to write Birth and Cursed (the two demos out currently) with one goal in mind: “to bring only the most excellent of vibes to any and all listeners.”
In my 2008 piece for Greek Byzantine choir and strings, Nativity Kontakion, I discovered a beautiful harmonic structure based around the Byzantine whole step you get when you divide the octave into fourteen 72nds — a bit wider than the whole step on the piano, which is twelve 72nds of an octave wide. Invert that wide “14/72” whole step, and you get a minor seventh narrower than the usual one. It so happens that this narrower minor seventh is almost equivalent to the seventh partial — one of those pure, God-made mathematical ratios that fell out of favor when equal temperament took over.
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I also enjoy the version from Morimur performed by Christoph Poppen and the Hilliard Ensemble, and I’m not alone. This is one of the most popular classical albums of all time.
SongTown is a really unique community of songwriters that help inspire growth and deliver unparalleled support to their readers, members, and peers. If you’re a writer looking for constructive criticism and helpful tips, definitely check their blog and service and events out.
There are lots of reasons why tuning is hard. You might be hampered by a poorly made guitar, or by a guitar that’s not set up correctly, or by old, worn-out strings, or by changes in temperature or humidity, or just by a lack of patience or time. At least you can be secure in the knowledge that some of your tuning struggles are due to the basic unfairness of the universe, and not just the limitations of your ears or your equipment.
It’s been a crazy journey, and the indie touring scene can be both amazing and awful. Stressing out about your next meal, tank of gas, or whether you’re gonna get kicked out of that Walmart parking lot is not always fun. But we’ve had some good times too, so here are a few ways to have more fun on tour (even if your livelihood doesn’t depend on it!).
One such example is here in “Let’s Go,” where bassist Benjamin Orr does a double chromatic run in the interlude at the end of the chorus and leading into the “She’s laughing inside” verse. It’s a simple, basic riff, starting at the major third, walking up three notes to the fifth, and continuing with another four-note chromatic run up to the octave. It comes at an opportune moment, building up the suspense leading into the last set of verses, in an already high-tempo, high-energy song.